Garamond premier pro adobe font pro#
Garamond Premr Pro Display SemiBold Italic.Garamond Premr Pro Display Light Italic.Garamond Premr Pro Caption SemiBold Italic.The Garamond Premier Pro includes the following font families: Garamond Premier Pro contains an extensive glyph complement, including central European, Cyrillic, and Greek characters and is offered in five weights ranging from light to bold. More…īy modeling Garamond Premier Pro on these hand-cut type sizes, Slimbach retained the varied optical size characteristics and freshness of the original designs while creating a practical 21st-century type family. While fine-tuning Adobe Garamond, which was released in 1989, as a useful design suited to modern publishing, Slimbach started planning an entirely new interpretation of Garamond’s designs based on the large range of unique sizes he had seen at the Plantin-Moretus and on the comparable italics cut by Robert Granjon, Garamond’s contemporary. Garamond, a French punchcutter, produced a refined array of book types in the mid-1500s that combined an unprecedented degree of balance and elegance, and stand as a pinnacle of beauty and practicality in typefounding. At the same time, I often felt it necessary to carefully adjust shapes and parameters in order to harmonize the varied work of these two individual designers within this single type family.Garamond Premier Pro had its genesis in 1988, when Adobe senior type designer Robert Slimbach visited the Plantin-Moretus Museum in Antwerp, Belgium, to study its collection of Claude Garamond’s metal punches and type designs. Throughout the design process, I repeatedly returned to the original proofs to ensure I was preserving details I felt were essential to the design. By preserving subtleties of shape, a level of fidelity is maintained that would normally be clouded by the noise-generating effects of letterpress printing on handmade papers. With Garamond Premier, I followed the details of line and form displayed in the original metal type as much as possible in order to reveal the ideal that I felt Garamond and Granjon were trying to achieve in their work. I feel that by overtly imitating the appearance of an outdated technology, a digital type can appear antique, or even quaint, while excessive stylization can diminish the organic properties inherent in a hand-cut type. I sought to maintain the fidelity of the metal type as revealed in the specimen material-rather than taking a more subjective approach, such as attempting to reproduce artifacts of letterpress printing, or at the other extreme, modernizing form through heavy-handed stylization or drastic structural modification. Garamond Premier Pro was designed by Robert Slimbach on the model of the roman types of Claude Garamond and the italic types of Robert Granjon it represent a reworking and expansion of the earlier Garamond Pro.
Garamond premier pro adobe font full#
The fonts also include a full range of diacritics and foreign-language characters. The header for the image above is the medium display weight (to balance some of the dark fonts,including the caption fonts, which would not ordinarily be used at this large a size. The display fonts have elegantly modest x-heights and light stroke weights suitable for presentation at large sizes. The caption fonts, for example, have large x-heights and heavier strokes in order to hold up at small sizes. UPDATE: Since writing the above in 2008 I have used Garamond Premier Pro in my books 1616: The World in Motion and River of Ink: Literature, History, Art, as well as in books designed for others, such as Bali: Art, Ritual, Performanceby Natasha Reichle.ĭifferent fonts are provided for four type sizes: caption, regular, subhead, and display. In addition, the display size offers an extra-light weight in both regular and italic. There are regular, medium, semibold, and bold weights for each of the sizes. Working with Garamond Premier Pro for my book on Persian ceramics, I have been impressed by the range of sizes and weights the typeface includes.
0 kommentar(er)
